Exposicions "París anys 60. Per a què serveixen les imatges?", "S 37. De l’empremta a l’abstracció" i "Grans obres, petits formats"

SALA 1. "Paris 60s. What are images for?" Are they a moment from a wider narrative, as the artists of Narrative Figuration claimed? Or are they an object in itself, with no relation to any other? In the 60s, a historical context of social and political change in which everything was questioned, images did not escape the debate. The exhibition does not oppose styles. It shows a field of forces, a shared moment in which all painting, figurative or not, is questioned. SALA 2. S 37. "From the imprint to abstraction" In 1981, in the exhibition that the Centre Pompidou dedicated to Peter Stämpfli, he extended along a wall a black structure that evokes the imprint of the tire inspired by the geometric geometry of the relief of a car tire. This year, 45 years later, Stämpfli recreates the work. SALA 3. "Large works, small formats" Works by Pierrette BLOCH, Mark BRUSSE, Pol BURY, Tom CARR, Philippe CAZAL, Robert COMBAS, Gérard DESCHAMPS, Richard DI ROSA, François DUFRÊNE, ERRÓ, Christian JACCARD, Peter KNAPP, Bernard MONINOT, Jacques MONORY, Peter STÄMPFLI, TAKIS, Pierre TILMAN, Jacques VILLEGLÉ. 19 works of small format bring the visitor closer to the variety of procedures of art made in Paris between 1960, a collage by Erró, and 2011, a magnetic painting by Takis. You can consult more information about the exhibitions "Paris 60s. What are images for?", "S 37. From the imprint to abstraction" and "Large works, small formats" on the website of the Sitges Museums.