«Vivor a la mirada». El gest en Blai Bonet i Pablo Picasso

"Vivor a la mirada" is the second session of the artisticopoetic action cycle "Qui pot recordar el futur". It will focus on the link between Blai Bonet and Picasso through the gesture. Blai Bonet was a personal friend of Joan Miró and Antoni Tàpies and delved into the work of Pablo Picasso on several occasions, mainly in the catalog of the first time the erotic Picasso was exhibited in Barcelona. From this link, and within the framework of the commemoration of the centenary of the author's birth in Santanyí, the cycle "qui pot recordar el futur" investigates the relationship between poetry and art by cooking the word with other disciplines such as dance, music and performance, and especially by seeking the vivor in the gaze. Blai Bonet describes the erotic Picasso that was presented at the end of the sixties in Barcelona with imaginative adjectives: "Here is how a slap of vulgarity blinds, chews, cork, spoils, the celebration of the erotic festival in the prehistory of paradise". In this archaic paradise, but full of novelties, poets Jun Komura, Eva Ortega and Ismael Sempere, and artist Laura Llaneli are found to reinvent Picasso's animality through the sonic trace of music and verses, while retracing the previous shoulders to the original sin, before the expulsion from this paradise. Consult all the details of the activity on the ILC website. This cycle is framed within the commemorations due to Blai Bonet Year.